Arata Isozaki’s design for the Center of Science and Industry (COSI) in Columbus, Ohio, raises the question of whether architecture can be both universal in form and address local conditions. The zeppelin-like shape of his hangar for science exhibitions is loosely related to its riverfront site, yet it appears as a closed, mysterious, and imposing presence in Columbus’ otherwise rather homogenous landscape. A large collaborative crew of exhibition designers, technical consultants, and graphic artists filled the gaps between his big forms and the way the building is used.

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